‣ Etimologia:… … Dicionário da Língua PortuguesaĬavaquinho - Le cavaquinho est un instrument de musique d origine portugaise à quatre cordes pincées ressemblant à une guitare. 4. dar o cavaquinho por: gostar muito de. = BRAGA, BRAGUINHA, MACHETE 3. Pessoa que toca esse instrumento.
Instrumento musical de quatro cordas e sons agudos, parecido com uma viola pequena. Die Cavaquinho ist eine kleine Variante des viersaitigen Cavaco und… … Universal-LexikonĬavaquinho - s. En la mús … Wikipedia EspañolĬavaquinho -, auch Cabaquina, ein in Portugal und Brasilien verbreitetes Zupfinstrument, das Konstruktionselemente von Gitarre und Mandoline in sich vereint. Es muy utilizado en la música tradicional portuguesa. El cavaquinho es un instrumento portugués de 4 cuerdas, pariente de la guitarra y el timple y antecedente directo del ukelele y del cavaco. ReferencesĬavaquinho - Português Cavaquinho Brasileiro Ein Cavaquinho ( … Deutsch WikipediaĬavaquinho - Saltar a navegación, búsqueda Cavaquinho.
The machête was introduced into Hawai ʻi by Augusto Dias, Manuel Nunes, and João Fernandes in 1879.ĭuring the 15th Century the four-course cavaquinho was brought to Africa by Portuguese sailors. The Hawaiian ʻukulele also has four strings, though tuned differently (usually G-C-E-A), and a shape somewhat similar to the cavaquinho. The Hawaiian Islands have an instrument very similar to the cavaquinho, called the ʻukulele, which is based on the machête or braguinha (variation on the cavaquinho), brought to the islands by Portuguese immigrants. The cavaquinho is also found in other places where the Portuguese left an imprint, such as Cape Verde and the USA (especially Hawaii), and became an important part of the popular music of those places. It is played with a pick, with sophisticated percussive strumming beats. The samba cavaco is the connection between the rhythm and harmony sections, playing the rhythm comping. Some of the most important players and composers of the instrument's Brazilian incarnation are: Waldir Azevedo, Henrique Cazes, Paulinho da Viola, Luciana Rabello, Alceu Maia, Mauro Diniz and Paulinho Soares. The standard tuning in Brazil is D-G-B-D (although D-G-B-E and the mandolin tuning G-D-A-E are also used for soloing). It is a very important instrument in Brazilian music, especially for samba and choro. The Brazilian cavaquinho, associated with Brazil, as the cavaquinhos associated with Lisboa and Madeira, differs from the minhoto in that its neck is elevated in relation to the body, and the sound hole is traditionally round thus it is more akin to the traditional guitar. The minhoto cavaquinho, associated with the Minho region in Portugal, has the neck on the same level as the body, and the sound hole is usually in the raia format ( raia is Portuguese for batoidea).
The author holds that the cavaquinho and the guitar may have been brought to Braga by the Biscayans. Gonçalo Sampaio, who explains the survival of Minho region’s archaic and Hellenistic modes by possible Greek influences on the ancient Gallaeci of the region, stresses the link between this instrument and historical Hellenistic tetrachords. The origins of this Portuguese instrument are not easily found.
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